Donna Allen's four-finger guitar and melodic proficiency are expanded by her training in post-Cagean art music and experimentation. Her New York-based band Chronophage has released four LPs ranging from punky post-punk to prefab post-contemporary rock, and she has released four solo recordings in the last year alone. Together with Jane Harms, they arrive somewhere between alter-futurist chamber folk and celestial Big Music, actualizing their mutual interest in Olivia Records, the Canterbury sound and music as a marker on a road to utopia.
