Jane Harms' interest in propulsive songwriting is interpreted via her obsessive orchestral guitar-synthesizer and sample-sequenced arrangements. Her project Trifectahas a song forthcoming on a compilation with Montreal’s Celluloid Lunch label, and her solo performances have been hosted by Video Pool in Winnipeg/Treaty One, Slut Island Festival in Tio’tia:ke/Montréal, and UNIT/PITT on xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səl̓ílwətaɬ land (Vancouver). Together with Donna Allen, they arrive somewhere between alter-futurist chamber folk and celestial Big Music, actualizing their mutual interest in Olivia Records, the Canterbury sound and music as a marker on a road to utopia.
