Ferrari / Brennan / Lázara will present a performance for pipe organ, voice, percussion, synthesizer, and for the neo-gothic stone building that houses the Pacific Spirit United Church. This collaboration draws from a shared interest in the acoustics of space, in buildings as bodies as instruments, and in offering modes of listening that puncture the hierarchy between audience, performers and religious architecture. It combines elements from their individual practices with voice (Lázara), percussion (Brennan), amplification & audio feedback (Ferrari), with collective sonic interventions and micro-choreographies for lungs and fingers recalling a time when the pipe organ relied on the labor of more than one organist to produce its sounds. Costume design by Shizen Jambor.
This performance was developed from a series of improvisations, and sound interventions Ferrari, Lázara and Brennan performed in the Fall 2022 in different catholic churches in Brescia, Italy as part of Ferrari’s project in increments of 13 – a sound library of graphic scores, field recordings, and sonic fictions drawing from popular medicine, and oral histories of the valley where she grew up in northern Italy.
Lawrence English and loscil present a new, long form work for organ and electronics informed by their 2023 collaborative album, Colours of Air. Using computer and human controlled acoustic pipe organ sounds mixed with real time processing, the duo revisit the spirit of their studio album which featured recordings of the pipe organ at the Old Museum in Brisbane, Australia.
What really happens when humans interface with a machine? Which of these two elements is really in control? Is it the human who dominates…or is it the machine itself that secretly drives the human in their choices? Who is playing who?
These ancient questions will be explored by the organist Giulio Tosti within his performance, which will be set as a long acoustic improvisation, exploring the auxiliary electronic elements of the Casavant organ – its Piston Sequencer, Crescendo Pedals….with the aim of recreating a machine-like language, but adding the uncertainty and organicity of a human body playing.
Elisa Ferrari is an artist who works with sound, performance, and writing. Her practice and collaborations are concerned with memory formations, idleness, sonic sediments, translingual ecologies, somatic inquiries, and the infrasonic. She hosts aux-sends—a quarterly radio series about experimental music, sound, and poetics—on Vancouver co-op radio. Ferrari’s recent solo and collaborative work has been presented at Nanaimo Art Gallery, British Columbia; Kamias Triennial, Quezon City; Vancouver Art Gallery; Western Front, Vancouver; Q-O2, Brussels; and Contemporary Art Gallery, Vancouver. She lives as an uninvited guest on unceded xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and Səl̓ílwətaʔ/Selilwitulh territories and in Brescia, Italy, where she grew up.
Bárbara Lázara is an artist whose work is dedicated to amplifying subjugated languages, archives of the body, and stolen memories. Her work spans across various media, including performance, music, writing, and video, and has been exhibited in solo and group shows in Mexico, the US, and the EU. She is a member of the DAAD Berliner Künstlerprogramm 2022/23 and belonged to the Sistema de Creadores de Arte de México from 2019 to 2022. Lázara is currently working on archival materials for the exhibition Sonora en el Silencio, which will showcase the artistic legacy of her great-grandmother, writer Olivia Zuñiga, and take place at the Museo Cabañas in 2023.
John Brennan is an improviser, sound artist and drummer living on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh First Nations, Vancouver. His sound work includes installations and sonic sculptures that consider the relationship between the sonic memory of musical instruments, performance, and improvisation–The Temporal Drum Set (2018), Things Resounding Things (2019), and Rudiments for Hexidrome (2020). At the core of Brennan’s practice is collaboration. Among his current projects, Plan Your Future with Greg Saunier; PHYSIC with John Dieterich; dashes, a sound performance collaboration with Elisa Ferrari; Kamikaze Nurse with Casey Wei, Sonya Kim and Ethan Reyes; Bull Brennan Bull, an improvised performance trio with Hank Bull & Arthur Bull; Mo-Dale, an improvised performance duo with Justin Patterson, and Earth Ball, an improvised experimental ensemble with core members Izzy Ford and Jeremy Van Wyck and invited guests.
Lawrence English is a composer, artist and curator based in Australia. Working across an eclectic array of aesthetic investigations, English’s work prompts questions of field, perception and memory. He investigates the politics of perception, through live performance and installation, to create works that ponder subtle transformations of space and ask audiences to become aware of that which exists at the edge of perception.
loscil is the electronic music project of Canadian composer and multimedia artist Scott Morgan. For over 20 years, Morgan has built a robust catalogue of work under the LOSCIL moniker, loosely spanning the genres of ambient, classical and electroacoustic music. Alongside numerous albums released on the esteemed American label, Kranky, Morgan has also produced special projects, remixes and collaborations with other musicians including Ryuichi Sakamoto, Murcof/Vanessa Wagner, bvdub, Sarah Neufeld, Daniel Bejar, Rachel Grimes and Lawrence English.
Morgan’s music can be found supporting film, television, theatre and contemporary dance productions including notable work with choreographers Damien Jalet from Belgium and Vanessa Goodman from Vancouver. Morgan has also created bespoke music for games and interactive multimedia projects including Hundreds, Osmos, Lifelike and his own generative music application ADRIFT released in 2015.
As a touring entity, Morgan has brought his live audio-visual performances to festivals worldwide such as Mutek, Le Guess Who, LEV, Gamma Fest, Sled Island, Today’s Art, WOS, Open Frame and Big Ears.
Giulio Tosti studied organ at the Conservatorio San Pietro a Majella in Naples under Roberto Canali. In 2017 he obtained his Diplome, with the 10/10 summa cum laude and congratulations from the jury. He studied under Theo Flury at the Pontifical Institute of Sacred Music in Rome and by Sophie Rétaux at the ESMD (École Supérieure Musique et Danse Nord de France). In 2017 he served as professeur d’orgue in the School of Music of Comines (Lille, France) and between 2018-2021 worked at the Central Institute for Sound and Audiovisual Patrimony. He has won numerous prizes and has given recitals at numerous festivals.
Alongside the organ repertoire, Giulio actively reevaluates and rethinks his instrument, with individual and collective projects. In 2019 he created Nebula, a solo project of extemporary composition that explores unconventional soundscapes of pipe organ, using extended techniques, aiming to create a true acoustic sound machine out of the organ. Nebula was also included in BBC Radio 3’s New Music Shows. In 2023 he created Rupestre, a project conceived for movable hand-organs, with the aim to recreate ancestral and futuristic soundscapes.
In addition to the concert activity with this project, Giulio also leads Masterclasses and theoretical/practical workshops related to this new conception of the organ, addressed to organists, composers, electronic and jazz musicians.
He composes music for organ solo, organ and other instruments, music for image and for theatre.
Videography:
Mingtao Kong
Audio documentation:
Dan Kibke
Videography:
Mingtao Kong
Audio documentation:
Dan Kibke
Videography:
Mingtao Kong
Audio documentation:
Dan Kibke